Irish Painter, 1856-1941 Irish painter. The son of an unsuccessful publican, he was orphaned at the age of three and was brought up by relatives, initially in the north of Ireland and then in Ayrshire. He became an apprentice retoucher to a Glasgow photographer and attended the Haldane Academy, Glasgow, in the 1870s. After spending a winter term at Heatherley's School of Art, London, he moved in 1881 to Paris where he studied at the Acad?mie Julian. At this time he was influenced by Jules Bastien-Lepage and painted in a plein-air naturalist style   Related Paintings of Sir John Lavery :. | Mondlandschaft | Dancing Fakir | Arab or Arabic people and life. Orientalism oil paintings 341 | Vertumnus and Pomona | Self-Portrait |
Related Artists:
Georgios Roilos
1867 - 1927. The Homeric Phthia of the Mycenaean period, capital of the Kingdom of the Myrmidons and of Peleus, father of Achilles, has sometimes been identified with the later city of Farsalos, now Pharsala. A Cyclopean Wall which protected a city still exists today near modern Pharsala, as does a vaulted tomb from that period.
Juan Fernandez de Navarrete
Spanish painter 1526-1579 was a Spanish Mannerist painter, born at Logroño. An illness in infancy deprived Navarrete of his hearing, but at a very early age he began to express his wants by sketching objects with a piece of charcoal. He received his first instructions in art from Fray Vicente de Santo Domingo, a Hieronymite monk at Estella, and also with Becerra. He visited Naples, Rome, Florence and Milan. Pellegrino Tibaldi met him in Rome in 1550. According to most accounts he was for a considerable time the pupil and assistant of Titian at Venice. In 1568 Philip II of Spain summoned him to Madrid with the title of king's painter and a salary, and employed him to execute pictures for the Escorial. During the 1560s and 1570s the huge monastery-palace of El Escorial was still under construction and Philip II was experiencing difficulties in finding good artists for the many large paintings required to decorate it. Titian was very old, and died in 1576, and Tintoretto, Veronese and Anthonis Mor all refused to come to Spain. Philip had to rely on the lesser talent of Navarrete, whose gravedad y decoro ("seriousness and decorum") the king approved. For eleven years until his death Navarrete worked largely on El Escorial. The most celebrated of the works he produced there are a "Nativity" (in which, as in the well-known work on the same subject by Correggio, the light emanates from the infant Saviour), a "Baptism of Christ" (now Prado), and "Abraham Receiving the Three Angels" (one of his last works, dated 1576).
Georges Jansoone
George Jamesone (or Jameson) (c. 1587-1644) was Scotland's first eminent portrait-painter. He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College. Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck. However, this is yet to be proven as his name does not appear to be noted in the Guild registers of the town. However, considering that Rubens was exempt from registering pupils; this does not mean that the painter definitely did not study there. Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century. Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620.